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| VORWORT | öffnen |
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ForewordAs technical progress increasingly affects music, the role of electronics is becoming ever more important. The studio, the equipment and the Computer are increasingly becoming a fixed part of the artistic self-identity even among those composers who do not see themselves as straddling boundaries between media. The spectrum has meanwhile expanded notably. It extends from works with live electronics and electronic pieces to music and sound installations, from interactive models and mixed-m...
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As technical progress increasingly affects music, the role of etectronics is becoming ever more important. The studio, the equipment and the Computer are increasingly becoming a fixed part of artistic self-identity, even among those composers who do not see themselves as straddling medial boundaries. The spectrum has meanwhile expanded notably. It extends from works with live electronics and electronic pieces to music and sound installations, from interactive models and mixed-media projects to ... [weiter lesen] |
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| AUTOR | öffnen |
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Biographies MARK APPLEBAUM. Born in Chicago (USA) in 1967. B.A. from Carleton College magna cum laude and M.A. and Ph.D. in composition from the University of California, San Diego. Principal composition studies with Brian Ferneyhough and Joji Yuasa; influential lessons with Conlon Nancarrow, Per Norgärd, Roger Reynolds, and Mary Ellen Childs. Since 2000 Assistant Professor, Stanford University: He is founding Director of [sic] (the Stanford Improvisation Collective). Builds electroacoustic so... [weiter lesen] |
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| INHALTSVERZEICHNIS | öffnen |
Contents
Foreword
MARK APPLEBAUM
Progress Report: The State of the Art after Sixteen Years of Designing and Playing El...
SlDNEY CORBETT
On the making of my Klavierkonzert for piano and electronics 36
FRANK COX
Aura and Electronic Music 52
GEORG KLEIN
Interactive Variation
On the relativity of sound and movement in transition and TRASA alongside various tho...
CLAUS-STEFFEN MAHNKOPF
Hommage á Thomas Pynchon 100
CHRIS MERCER
Gesture in the Mouth and Throat Electroacoustic Approaches to Vocalization in Rally ...
CHRISTOPH OGIERMANN
Analogy and Displacement
The Private Use of Technology and the Technological Use of the Private in in der Gnad...
JOÄO RAFAEL
Ombres Croisèes - An analysis 173
ALEXANDER STANKOWSKI
By Nature 194
STEVEN KAZUO TAKASUGI
Strange Autumn
An Attempt at an Interpretation 204
IAN WILLCOCK
Composing without Composers?
Creation, control, and individuality in computer-based algorithmic composition 221
GERHARD WINKLER
Hybrid II(Networks)-or: At the Edge of Musical Self-Organization 236
Biographies
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